Sennheiser RF technology (which you can find in most MKH series mics) allows microphones to keep working in taxing conditions such as a steamy rainforest. Some microphones perform better than others in extreme humidity and weather. The tests I put my mics through are quite serious and Iit takes many of them before I can fully trust a piece of kit. #CLIPY AUDIO TRIAL#I’m also quite privileged to be able to afford trial and error when it comes to field recording equipment. I haven’t been able to ruin any mics by leaving them out in heat, cold, smoke or dust so far, but I’m optimistic about it. I’ve destroyed many a microphone by leaving them out in tropical downpours. #CLIPY AUDIO HOW TO#If you can only afford to buy or carry one pair of mics, I’d recommend getting omnis and learning how to use them well. Of course cardioid and super/hyper cardioid mics have their uses, but we’re getting into “good to have” territory. The list can go on, and every time I do something like this I learn more and improve my technique. I miked up a huge Sociable weaver nest in Namibia and captured beautiful nest activity including chicks begging for food and adults flying in and out for hours. I found a mango grove in the Congo basin rainforest where elephants would come to feed at night and set up my rig in a bush close by. I’ve recorded an Eagle owl in the East African savanna by spending many hours identifying its preferred perch and then setting up my rig at the bottom of it. I’ve been able to make beautiful recordings of both soundscapes and close up wildlife this way. Of course, sometimes things go wrong and my equipment is destroyed in the process but that’s something I’ve learned to live with and figure into my expedition plans. The smaller the rig I’m using, the faster this happens and the more wildlife will ignore it. This way wildlife and nature goes back to some kind of “normal” state after I’ve been there and disturbed it. The way I record with omnidirectional mics is I set them up in well thought out spots and then leave them there for hours or days at a time. Knowing the area I’m in and the subjects I’m trying to record certainly helps, as does having more general knowledge in the fields of natural history, ornithology, zoology, acoustic ecology, animal behaviour etc. I will spend extensive time observing and immersing myself into a landscape before I decide where to place my microphones. Regardless if I want to record complex soundscapes or focused wildlife calls, I like to use omni mics.
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